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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Jun 27, 2017 | Christie's | London | Impressionist & Modern Art Evening Sale | 17 | $****** - ****** | Infantin (Spanierin) |
paintings
53.4 x 49.5 cm (21.02 x 19.49 in)
oil on board
signed 'A. Jawlensky' (lower left), signed, dated and inscribed 'N1O Spanierin 1913 A. Jawlensky' (on the reverse)
Emmy 'Galka' Scheyer, Hollywood, by whom acquired directly from the artist.
S.J. Levin, St Louis, by 1957.
Galerie Krugier, Geneva.
Leonard Hutton Galleries, New York.
Serge & Vally Sabarsky, New York, by 1967, and thence by descent; sale, Christie’s, London, 18 June 2007, lot 16.
Acquired at the above sale by the present owner.
Zurich, Galerie Obere Zäune, Stilleben, September 1964, no. 3 (dated 1913).
New York, Leonard Hutton Galleries, A Centennial Exhibition of Paintings by Alexej Jawlensky, February - March 1965, no. 26 (illustrated; dated ‘1913’).
New York, Serge Sabarsky Gallery, Alexej Jawlensky Paintings, January - March 1975, no. 3 (dated '1912').
New York, Serge Sabarsky Gallery, An Exhibition of Works by Alexej Jawlensky, February - March 1979, no. 22.
New York, Serge Sabarsky Gallery, Portraits by Alexej Jawlensky, March - May 1982, no. 12.
Munich, Städtische Galerie im Lenbachhaus, Alexej Jawlensky 1864-1941, February - April 1983, no. 102 (illustrated p. 209); this exhibition later travelled to Baden-Baden, Staatliche Kunsthalle, May - June 1983.
Vienna, Oesterreichische Galerie Neues Belvedere, Malerei des Deutschen Expressionismus, September - October 1987 (illustrated p. 275); this exhibition later travelled to Graz, Kulturhaus, November - December 1987; and Linz, Oberösterreichisches Landesmuseum, February - April 1988.
Bari, Castello Svevo, From Kandinsky to Dix: Paintings of the German Expressionists, May - June 1989, p. 100 (illustrated p. 101; dated '1912' and titled 'Infantin (Spanish Princess)'; this exhibition later travelled to Genoa, Museo di Villa Croce, July - September 1989; and Roslyn, Nassau County Museum of Art, November - December 1989.
C. Weiler, Alexej Jawlensky, Cologne, 1959, no. 124 (illustrated p. 235; dated '1912').
P. Nizon, 'Das Menschenbild bei Jawlensky', in Kunstnachrichten, vol. 1, no. 1, September 1964 (illustrated p. 3).
P. Selz, German Expressionist Painting, Berkeley & Los Angeles, 1974, no. 164, p. 248 (illustrated; dated '1912').
S. Sabarsky, ed., La peinture expressionniste allemande, Paris, 1990, p. 266 (illustrated p. 267).
M. Jawlensky, L. Pieroni-Jawlensky & A. Jawlensky, Alexej von Jawlensky: Catalogue Raisonné of the Oil Paintings, vol. I, 1890-1914, London, 1991, no. 531, p. 407 (illustrated p. 420; dated '1912').
H. Haider, ed., Ich, Serge Sabarsky, Vienna, 1997, p. 36 (illustrated p. 107; dated '1912').
signed 'A. Jawlensky' (lower left); signed, dated and inscribed 'N1O Spanierin 1913 A. Jawlensky' (on the reverse)
oil on board
21 x 19 1/2 in. (53.4 x 49.5 cm.)
Painted in 1912-1913
